藝術 x 音樂 x 旅行
Artist / Musician / Traveller
Artist / Musician / Traveller
黃雅農，生於臺灣臺北，專長橫跨插畫、平面設計、攝影、錄像；同時也是一位音樂家，演奏傳統國樂嗩吶。攻讀研究所時始投身藝術領域，具備敏感的社會覺察，對於空間中的權力關係相當感興趣；以社會理論為基礎，漸發展出結合影像、聲音、肢體、裝置的創作模式，探討人在空間中的狀態及其交互作用，試圖創造與環境對話的橋樑。
創作過程中，「空間中的身體經驗」、「日常再發現」、「碎片採集」是三個主要的核心概念。 強調「現地創作」與「地方感」，雅農通常花費大量時間與環境相處，使用感官身體經驗觀察、描繪空間的輪廓樣貌，聚焦在平時為人所忽略的事物上。這些不起眼甚至被唾棄的物件，以碎片的形式被藝術家發現、採集，進一步將其拆解、拼湊並重新詮釋。如此的藝術實踐方式映照了藝術家一項特殊興趣：廢墟探險。建築隱身在都市叢林中隨著時間不斷循環消長，將肉身與精神流放在時空凝結的無人境地；發現、探索、撿拾、拼湊廢棄空間中的各種碎片，是獵人抑或偵探，狩獵、尋寶又解謎。如此這般的過程帶來無止盡的刺激感。音像裝置作品《樂園 Paradise》(2021)，即是廢墟探險經驗的具體呈現。
此外，多年的傳統音樂訓練是根，從小習中國笛、嗩吶，以及其他相關傳統管簧樂器（管子、卡腔、口弦、巴烏、葫蘆絲），擁有豐富的樂團合奏及協奏經驗，但雅農傾向於打破框架，融合其他音樂類型，包括流行、爵士、拉丁⋯⋯物件、電子甚至噪音藝術，她不斷嘗試「聲音」而非「音樂」的可能性，並近一步加入肢體舞蹈，嘗試藝術行為式的即興演出，在傳統的根基上進行當代音樂的轉化。2023年受邀《亞熱帶震盪：失聲祭歐洲演出巡迴暨聲響考察計劃》（Subtropical Oscillation）至德國、英國、波蘭、捷克巡迴演出，受到熱烈迴響。
有著社會學背景、研究經驗以及音樂藝術才華，雅農興趣廣泛，以跨領域專長多方嘗試實驗性作品，認為自身具備的多種能力都是達到目標手段，要如何使用端看目的而定，因此不排斥未來接觸與培養更多專長，以及與各領域藝術家合作。近年聚焦在社會議題的藝術實踐，將藝術帶入社區，擾動並製造對話，落實「藝術即生活」，拉近藝術與大眾之間的距離，例如MV《鬧三仙》（2018）討論青銀共生與宗教日常、MV《泰雅夢遊》（2018）訴說都市原住民對原鄉的想像、《文康小樂隊》（2019）是針對社區中心、文健站、安養院的環島義演、錄像《月潟健康操》（2019）針對ㄧ高齡化日本小村落設計專屬體操，並邀請村民共演、錄像《嬤的勁勾錐》（2021）是社區長者肢體復健計畫中的一環、聲音肢體劇場《・・・》（2023）是與聽障者的藝術共創⋯⋯。雅農的研究議題一直與跟文化共融、族群差異、權力關係脫不了關係，特別關注高齡人口及其他社會邊緣族群，朝藝術文化近用及賦權的目標邁進。
Born in Taiwan, Huang Ya-Nung is a multi-discipline artist working among graphic design, illustration, photography and video. She’s also a musician playing “Suona”, a traditional double reed wind instrument. With sensitivity of social awareness, Ya-Nung has dived into art field since graduate education and her research was about power relationship between human being and space. She has gradually developed her artistic approach: integrating video, sound, body movement and installation in order to research “interaction of people and space” and create dialogue in between.
“Body experience in the space”, “rediscovery in daily life”, “fragment collecting” are three man concept in her art practice. Addressing ”site-specific” and “sense of place”, Ya-Nung usually spends a lot of time to getting alone with the environment and utilizing sensory experience to depict space. Focusing on objects ignored by people, she discovers and collects in the form of fragments. Through disassembling, collaging and interpreting in artistic methods, those objects revive. This way of practice reflects one of her hobby: “lost place exploring.” As time goes by, succession of architecture is staging continuously in city jungle. Body and mind are exiled in the freezing time and space. Exploring, discovery, and collecting various fragments in the space make me feel like a hunter or a detective hunting, searching treasure and solving puzzle. I’m fascinated to this risky but exciting experience. An audio-visual installation ”Paradise”(2021) is a representation of lost place experience.
Besides, with years traditional music training, Ya-Nung playing not only Suona, but also other wind instruments such as Flute, Guan, Kachuang, Koxian, Bawu, Hulusi. She is experiences on orchestra, ensemble, and concerto. However, Ya-Nung tends to break the frame and approach fusion, including pop, jazz, latin and even art of noise. She’s trying to dig out possibilities of sounds rather than music. Furthermore, Ya-Nung also embeds body movement with improvisation performance in order to proceed contemporary transformation of traditional music. In 2023, she was invited by Lacking Sound Festival to join the performance tour to Germany, UK, Poland and CZ, to collaborate with electric modular synthesizer.
With sociology background, researching training and music talents, Ya-Nung has wide range of interests and crave to take more experiments. To her, multi-discipline is just the mean to achieve the final goal. Depend on the objective, suitable artistic practice will be applied to certain work. Therefore, she’s keeping approaching different art practices and collaborate with cross-field artists. In recent years, Ya-Nung focus on various social issues, bringing art into communities and reducing the gap between art and the public. She embraces the principle of “Art is life, art is everywhere, and belongs to everyone.” She pays close attention on cultural integration, ethnic difference and power relationship, and towards realizing empowerment and cultural accessibility.
創作過程中，「空間中的身體經驗」、「日常再發現」、「碎片採集」是三個主要的核心概念。 強調「現地創作」與「地方感」，雅農通常花費大量時間與環境相處，使用感官身體經驗觀察、描繪空間的輪廓樣貌，聚焦在平時為人所忽略的事物上。這些不起眼甚至被唾棄的物件，以碎片的形式被藝術家發現、採集，進一步將其拆解、拼湊並重新詮釋。如此的藝術實踐方式映照了藝術家一項特殊興趣：廢墟探險。建築隱身在都市叢林中隨著時間不斷循環消長，將肉身與精神流放在時空凝結的無人境地；發現、探索、撿拾、拼湊廢棄空間中的各種碎片，是獵人抑或偵探，狩獵、尋寶又解謎。如此這般的過程帶來無止盡的刺激感。音像裝置作品《樂園 Paradise》(2021)，即是廢墟探險經驗的具體呈現。
此外，多年的傳統音樂訓練是根，從小習中國笛、嗩吶，以及其他相關傳統管簧樂器（管子、卡腔、口弦、巴烏、葫蘆絲），擁有豐富的樂團合奏及協奏經驗，但雅農傾向於打破框架，融合其他音樂類型，包括流行、爵士、拉丁⋯⋯物件、電子甚至噪音藝術，她不斷嘗試「聲音」而非「音樂」的可能性，並近一步加入肢體舞蹈，嘗試藝術行為式的即興演出，在傳統的根基上進行當代音樂的轉化。2023年受邀《亞熱帶震盪：失聲祭歐洲演出巡迴暨聲響考察計劃》（Subtropical Oscillation）至德國、英國、波蘭、捷克巡迴演出，受到熱烈迴響。
有著社會學背景、研究經驗以及音樂藝術才華，雅農興趣廣泛，以跨領域專長多方嘗試實驗性作品，認為自身具備的多種能力都是達到目標手段，要如何使用端看目的而定，因此不排斥未來接觸與培養更多專長，以及與各領域藝術家合作。近年聚焦在社會議題的藝術實踐，將藝術帶入社區，擾動並製造對話，落實「藝術即生活」，拉近藝術與大眾之間的距離，例如MV《鬧三仙》（2018）討論青銀共生與宗教日常、MV《泰雅夢遊》（2018）訴說都市原住民對原鄉的想像、《文康小樂隊》（2019）是針對社區中心、文健站、安養院的環島義演、錄像《月潟健康操》（2019）針對ㄧ高齡化日本小村落設計專屬體操，並邀請村民共演、錄像《嬤的勁勾錐》（2021）是社區長者肢體復健計畫中的一環、聲音肢體劇場《・・・》（2023）是與聽障者的藝術共創⋯⋯。雅農的研究議題一直與跟文化共融、族群差異、權力關係脫不了關係，特別關注高齡人口及其他社會邊緣族群，朝藝術文化近用及賦權的目標邁進。
Born in Taiwan, Huang Ya-Nung is a multi-discipline artist working among graphic design, illustration, photography and video. She’s also a musician playing “Suona”, a traditional double reed wind instrument. With sensitivity of social awareness, Ya-Nung has dived into art field since graduate education and her research was about power relationship between human being and space. She has gradually developed her artistic approach: integrating video, sound, body movement and installation in order to research “interaction of people and space” and create dialogue in between.
“Body experience in the space”, “rediscovery in daily life”, “fragment collecting” are three man concept in her art practice. Addressing ”site-specific” and “sense of place”, Ya-Nung usually spends a lot of time to getting alone with the environment and utilizing sensory experience to depict space. Focusing on objects ignored by people, she discovers and collects in the form of fragments. Through disassembling, collaging and interpreting in artistic methods, those objects revive. This way of practice reflects one of her hobby: “lost place exploring.” As time goes by, succession of architecture is staging continuously in city jungle. Body and mind are exiled in the freezing time and space. Exploring, discovery, and collecting various fragments in the space make me feel like a hunter or a detective hunting, searching treasure and solving puzzle. I’m fascinated to this risky but exciting experience. An audio-visual installation ”Paradise”(2021) is a representation of lost place experience.
Besides, with years traditional music training, Ya-Nung playing not only Suona, but also other wind instruments such as Flute, Guan, Kachuang, Koxian, Bawu, Hulusi. She is experiences on orchestra, ensemble, and concerto. However, Ya-Nung tends to break the frame and approach fusion, including pop, jazz, latin and even art of noise. She’s trying to dig out possibilities of sounds rather than music. Furthermore, Ya-Nung also embeds body movement with improvisation performance in order to proceed contemporary transformation of traditional music. In 2023, she was invited by Lacking Sound Festival to join the performance tour to Germany, UK, Poland and CZ, to collaborate with electric modular synthesizer.
With sociology background, researching training and music talents, Ya-Nung has wide range of interests and crave to take more experiments. To her, multi-discipline is just the mean to achieve the final goal. Depend on the objective, suitable artistic practice will be applied to certain work. Therefore, she’s keeping approaching different art practices and collaborate with cross-field artists. In recent years, Ya-Nung focus on various social issues, bringing art into communities and reducing the gap between art and the public. She embraces the principle of “Art is life, art is everywhere, and belongs to everyone.” She pays close attention on cultural integration, ethnic difference and power relationship, and towards realizing empowerment and cultural accessibility.
學歷 Education
曼徹斯特城市大學 設計與藝術指導 碩士
Manchester Metropolitan University, Design and Art direction, MA
國立臺灣大學社會工作學系 學士
National Taiwan University, Social Work, BA
獲獎 Awards ＊團體創作
2025 Pulima 藝術獎 表演藝術獎 / 臺灣 ＊
7th Pulima Art Award, Performing Arts Award / TAIWAN
2022 金片子大賽 最佳音效 入圍 / 臺灣 ＊
International Golden Short Film Awards: Best Sound, Nominated / TAIWAN
2021 舞躍雲端：全國影像舞蹈創意競賽 第一名 / 臺灣
Dance over the Cloud: National Dance Film Competition, 1st place, TAIWAN
2021 信義基金會集點子大賽 佳作 / 臺灣
SINYI Charity Foundation: Ideas Collection, Honorable Mention Award / TAIWAN
2020 宜蘭獎 銀獎 / 臺灣
Yilan Awards, Silver Award / TAIWAN
2020 制止中共活摘器官海報設計競賽 入圍 / 國際
Stop Force Live Organ Harvesting In China’ Poster Award, Nominated / GLOBAL
2019 布魯塞爾國際舞蹈影展 入選 / 比利時 ＊
8th International Dance Film Festival Brussels, Official Selection / BELGIUM
2019 巴黎Chalo！舞蹈節 入選 / 法國 ＊
Festival Chalo !, Official Selection / FRANCE
2019 美國獨立音樂獎 最佳短片MV敘事類 提名 / 美國
The 17th Independent Music Awards: Short Form Video, Nominated / USA
2019 布拉格舞蹈影展 入選 / 捷克 ＊
11th Dance Film Festival Prague, Official Selection / CZECH REPUBLIC
2019 DAN.CIN.FEST 舞蹈影展 入選 / 法國 ＊
DAN.CIN.FEST Official Selection / FRANCE
2018 亞特蘭大 Dance for Reel 影展 入選 / 美國
Atlanta Dance for Reel, Official Selection / USA
2018 PULIMA 藝術獎 入選 / 臺灣
PULIMA Art Festival, Official Selection / TAIWAN
2018 跳格國際舞蹈影像比賽 中國舞蹈影像新人獎 / 香港 ＊
Jumping Frames International Dance Video Competition, Award for Chinese Dance Film Makers / HK
2018 Agite y Sirva 巡迴影展 入選 / 墨西哥 ＊
Official Selection Agite y Sirva 2018, Ofifcial Selection / MEXICO
香港國際青年中樂節—中樂快拍40 最佳創意獎、最佳演員獎 / 香港
Chinese Music Clips 40s, Creative Award & Best Actor / HONG KONG
2012 第二屆高雄48小時電影計劃 最佳應用對白 / 臺灣 ＊
2ed Kaohsiung 48HFP, Best Dialogue / TAIWAN
2010 ATCC第八屆全國大專院校商業個案大賽 首獎 / 臺灣 ＊
ATCC 8th ATONA Case Competition, 1st place / TAIWAN
2010 城市遊牧影展 實驗短片入圍 / 臺灣
9th Urban Nomad Film Fest, Experimental Short, Nominated / TAIWAN
2010 金甘蔗影展 最佳原著劇本 / 臺灣 ＊
5th Golden Sugarcane Film Festival, Best Original Script / TAIWAN
2008 參山國家風景區管理處吉祥物設計徵選 佳作 / 臺灣
Tri-Mountain National Scenic Area Mascot Design, Honorable Mention / TAIWAN
2008 四海遊龍吉祥物設計比賽 佳作 / 臺灣
Overseas Dragon mascot Design, Honorable Mention / TAIWAN
2007 全國學生漫畫大賽 大專大學組優選 / 臺灣
1st Student Comics Competition, Merit Award / TAIWAN
2007 臺南市環保背心設計競賽 佳作、評審團特別獎 / 臺灣
Tainan ECO vest Design, Honorable Mention, Jury Prize / TAIWAN
曼徹斯特城市大學 設計與藝術指導 碩士
Manchester Metropolitan University, Design and Art direction, MA
國立臺灣大學社會工作學系 學士
National Taiwan University, Social Work, BA
獲獎 Awards ＊團體創作
2025 Pulima 藝術獎 表演藝術獎 / 臺灣 ＊
7th Pulima Art Award, Performing Arts Award / TAIWAN
2022 金片子大賽 最佳音效 入圍 / 臺灣 ＊
International Golden Short Film Awards: Best Sound, Nominated / TAIWAN
2021 舞躍雲端：全國影像舞蹈創意競賽 第一名 / 臺灣
Dance over the Cloud: National Dance Film Competition, 1st place, TAIWAN
2021 信義基金會集點子大賽 佳作 / 臺灣
SINYI Charity Foundation: Ideas Collection, Honorable Mention Award / TAIWAN
2020 宜蘭獎 銀獎 / 臺灣
Yilan Awards, Silver Award / TAIWAN
2020 制止中共活摘器官海報設計競賽 入圍 / 國際
Stop Force Live Organ Harvesting In China’ Poster Award, Nominated / GLOBAL
2019 布魯塞爾國際舞蹈影展 入選 / 比利時 ＊
8th International Dance Film Festival Brussels, Official Selection / BELGIUM
2019 巴黎Chalo！舞蹈節 入選 / 法國 ＊
Festival Chalo !, Official Selection / FRANCE
2019 美國獨立音樂獎 最佳短片MV敘事類 提名 / 美國
The 17th Independent Music Awards: Short Form Video, Nominated / USA
2019 布拉格舞蹈影展 入選 / 捷克 ＊
11th Dance Film Festival Prague, Official Selection / CZECH REPUBLIC
2019 DAN.CIN.FEST 舞蹈影展 入選 / 法國 ＊
DAN.CIN.FEST Official Selection / FRANCE
2018 亞特蘭大 Dance for Reel 影展 入選 / 美國
Atlanta Dance for Reel, Official Selection / USA
2018 PULIMA 藝術獎 入選 / 臺灣
PULIMA Art Festival, Official Selection / TAIWAN
2018 跳格國際舞蹈影像比賽 中國舞蹈影像新人獎 / 香港 ＊
Jumping Frames International Dance Video Competition, Award for Chinese Dance Film Makers / HK
2018 Agite y Sirva 巡迴影展 入選 / 墨西哥 ＊
Official Selection Agite y Sirva 2018, Ofifcial Selection / MEXICO
香港國際青年中樂節—中樂快拍40 最佳創意獎、最佳演員獎 / 香港
Chinese Music Clips 40s, Creative Award & Best Actor / HONG KONG
2012 第二屆高雄48小時電影計劃 最佳應用對白 / 臺灣 ＊
2ed Kaohsiung 48HFP, Best Dialogue / TAIWAN
2010 ATCC第八屆全國大專院校商業個案大賽 首獎 / 臺灣 ＊
ATCC 8th ATONA Case Competition, 1st place / TAIWAN
2010 城市遊牧影展 實驗短片入圍 / 臺灣
9th Urban Nomad Film Fest, Experimental Short, Nominated / TAIWAN
2010 金甘蔗影展 最佳原著劇本 / 臺灣 ＊
5th Golden Sugarcane Film Festival, Best Original Script / TAIWAN
2008 參山國家風景區管理處吉祥物設計徵選 佳作 / 臺灣
Tri-Mountain National Scenic Area Mascot Design, Honorable Mention / TAIWAN
2008 四海遊龍吉祥物設計比賽 佳作 / 臺灣
Overseas Dragon mascot Design, Honorable Mention / TAIWAN
2007 全國學生漫畫大賽 大專大學組優選 / 臺灣
1st Student Comics Competition, Merit Award / TAIWAN
2007 臺南市環保背心設計競賽 佳作、評審團特別獎 / 臺灣
Tainan ECO vest Design, Honorable Mention, Jury Prize / TAIWAN
